espera..

INTRODUCTION





Speaker for the Dead is a sequel, but it didn’t begin life that way—and you don’t have to read it that way, either. It was my intention all along for Speaker to be able to stand alone, for it to make sense whether you have read Ender’s Game or not.
Indeed, in my mind this was the “real” book; if I hadn’t been trying to write Speaker for the Dead back in 1983, there would never have been a novel version of Ender’s Game at all.
How did Speaker for the Dead come to be? As with all my stories, this one began with more than one idea. The concept of a “speaker for the dead” arose from my experiences with death and funerals. I have written of this at greater length elsewhere; suffice it to say that I grew dissatisfied with the way that we use our funerals to revise the life of the dead, to give the dead a story so different from their actual life that, in effect, we kill them all over again. No, that is too strong. Let me just say that we erase them, we edit them, we make them into a person much easier to live with than the person who actually lived.
I rejected that idea. I thought that a more appropriate funeral would be to say, honestly, what that person was and what that person did. But to me, “honesty” doesn’t simply mean saying all the unpleasant things instead of saying only the nice ones. It doesn’t even consist of averaging them out. No, to understand who a person really was, what his or her life really meant, the speaker for the dead would have to explain their self-story—what they meant to do, what they actually did, what they regretted, what they rejoiced in. That’s the story that we never know, the story that we never can know—and yet, at the time of death, it’s the only story truly worth telling.
I have received several letters, by the way, from people who are called upon to
speak at funerals from time to time, and who, having read Speaker for the Dead, make an effort to turn the funeral service into a Speaking. I hasten to add that they have done this either with the permission of the family or at the urging of the deceased (given, obviously, before death!). Some of them have even sent me the text of their Speaking, and I must tell you that the stories thus told are astonishing and powerful. I hope someone will do a Speaking at my funeral. I think there really is power and truth in the idea.
But that was not the only source of Speaker for the Dead. I was also a longtime aficionado of anthropological science fiction—stories in which a scientist studies an alien culture and uncovers the reasons for their strangeness. The first such novel that

I read was James Blish’s A Case of Conscience. Not many years later, I read Michael
Bishop’s story “Death and Designation among the Asadi.” Both had a powerful effect on me. So in the back of my mind, I had a strong desire to add something of my own to that subgenre.
So when I thought of the idea of an alien species which, in order to reproduce, had to slaughter each other in terrible intertribal wars, it was only natural that I decided the story should be told from the viewpoint of a human scientist studying them. Only gradually, over several years, did I develop the idea of the piggies and their strange lifecycle, and the intertribal war receded in importance—so much so that I didn’t need to make it an issue in Speaker for the Dead at all. But it was in trying to think
of an evolutionary reason why these little porcine aliens would need to slaughter each other for the species to thrive that I came up with the pequeninos that you meet in the pages of this book.
I was living with my wife, Kristine (née Allen), in Orem, Utah, when I made the first breakthrough in creating this book. The two ideas were still quite separate, and the speaker-for-the-dead idea was still in a very primitive form. In fact, I had decided that the funeral “oration” should be in song—that it should be a “singer of death.” I suppose I thought of this because I had sung at a few funerals, and found it a moving experience even when I didn’t know the deceased. But when I mentioned this singer-of-death idea to Kristine, she winced. “You’ve already written
‘Unaccompanied Sonata’ and Songmaster,” she reminded me. “They were both about music. If you do another music story people will think that’s all you can do.”
I realized that she was even more right than she knew! It happened that “Unaccompanied Sonata” and the original short story, “Mikal’s Songbird,” on which Songmaster had been based were also two of my stories that had been nominated for awards. In fact, a novella called “Songhouse,” which was really the opening chapters of Songmaster, had also been nominated for a Hugo. The only story of mine which had been nominated for awards and that wasn’t about music was the novelet version of “Ender’s Game”! So Kristine had inadvertently caught me in the unconscious process of imitating my own past successes. I knew she was right—the music motif may have won me some favorable attention, but it was time to set aside that crutch and do something else.
So it would be a speaker of death in my story, not a singer. That felt right. But
here’s the silly part. Perhaps I was still unconsciously trying to lean on my most successful previous work, but I immediately wondered, What if the Speaker of Death was Ender Wiggin? It was obvious to me what I was doing—if I can’t do the music thing, I can still bring the kid-who-saves-the-world back for another round! And yet the idea appealed to me. I didn’t trust it yet, but it appealed to me.
After all, Ender had to do something after destroying the buggers. What if Ender

Wiggin comes to an alien world as a Speaker of Death, and accidently gets caught up in the mystery of why these piggies are slaughtering each other? It had a delicious symmetry to it—the man who, as a child, destroyed one alien species now has a chance to save another.
The idea sat there in the back of my mind for many months, and as it did, the story grew. More to the point, the character of Ender grew. I had never thought much
about what he would do after winning his war at the end of “Ender’s Game,” except that his life would never be that interesting again, and he would have a terrible time adjusting to normal human life. A writer friend of mine, Jim Tucker, had once proposed doing a sequel to “Ender’s Game” that involved bringing Ender back to Earth, but while the story he came up with had some appeal, I knew in my heart that the one thing Ender could never do was return to live out his life on the birthworld of humanity. Having him become a speaker for the dead, however, wandering from nation to nation and world to world, researching and orating for the dead—that, I thought, was a wonderful way to reconcile him with the human race that had used
him up as a child.
Gradually the ideas came together. When my agent, Barbara Bova, said that she’d like to sell a book to Tom Doherty’s new publishing house, Tor, I realized that the book I wanted to write next was Speaker of Death. So I wrote an outline and the first few chapters, the contract was written, the deal was made. I was living in Indiana at the time, working on a doctorate at Notre Dame and finishing up Hart’s Hope, Worthing Chronicle, and Saints for another publisher. It wasn’t until the recession interrupted my degree program (forever, I’m afraid—no doctorate for me now!) and sent me to Greensboro, North Carolina, for my only stint doing honest labor since
1978 that I had a chance to get back to Speaker of Death.
What I discovered then—the spring of 1983—was that the book was unwritable.
In order to make the Ender Wiggin of Speaker make any kind of sense, I had to have this really long, kind of boring opening chapter that brought him from the end of the Bugger War to the beginning of the story of Speaker some three thousand years later! It was outrageous. I couldn’t write it.
When Compute!, the publisher I was working for as a book editor, sent me along
to the American Booksellers Association convention in Dallas, I noticed that Tom Doherty himself was at the Tor Books exhibit. I greeted him, and then on impulse asked him if I could talk to him. I had no well-formed plan in mind, and I was a little frightened when he said, “Sure,” and set an appointment not long after. Our meeting consisted of walking through the crowds as I explained to him the problem I was having writing Speaker. The only solution I could think of, I said, was to write a novel version of Ender’s Game, so I could put all that material about how Ender became a Speaker for the Dead at the end of that book, thus allowing Speaker to

begin at its true beginning.
Once I proposed the idea (having only thought of it a short while before) it seemed so obvious that I wondered why I hadn’t tried to sell a novel version of Ender’s Game years before. (Only later did I realize that it wasn’t until I was working on Speaker that the character of Ender Wiggin grew enough to be able to sustain a novel.) Still, Tom agreed with me that a novel version of Ender’s Game was a good idea. “Let’s do it,” he said. “Same terms as Speaker?”
“Sure,” I said, hardly believing that the decision could be made so easily—I
hadn’t talked to him more than five minutes.
“Fine. We’ll send a contract to Barbara as soon as I get back to New York.”
Lo! It happened exactly as he said! This was something I had never seen before— a publisher making a decision instantly, and then having everything he said turn out to be true! I still marvel at it—a publisher who is not only an honest man, but also loves (and reads) books, makes decisions quickly, and then can sell the books he publishes!
Gratefully I set aside Speaker and began plotting Ender’s Game. By the time I quit my job at Compute! that fall, after only nine months in the position (I’m not cut out for corporate life anymore, I’m afraid), I was raring to go. I began Ender’s Game before Christmas that year, took a break to go to Utah to promote my novel Saints, and then returned home and finished the book in a couple more weeks.
Then I turned to Speaker and the real suffering began. By now, of course, the title had changed from Speaker of Death to Speaker for the Dead, as the concept had clarified at the end of Ender’s Game. By now, the character of Ender had developed so much that my original draft of the opening of Speaker was almost laughable. I had begun (except for the “introductory chapter”) with Ender’s arrival on the planet Lusitania, just in time to speak the death of an old lout named Marcão. But it was hollow and empty and it just wasn’t working. So I went back to the drawing board and began all over again.
I began the book several more times, each time getting a little farther, but each
time being blocked because it still wasn’t right. I didn’t know what “right” was, of course—but I did have several hundred pages of “wrong.” (During this struggle with Speaker I wrote the novel Wyrms, which in some ways was a tryout of the scientific ideas in Speaker and, eventually, Xenocide—using a semisentient molecule that adapts itself easily to alien species in order to take them over and control them.)
Finally I knew I had to begin with the character of Novinha, who hadn’t even existed in the original outline. And the characters of Pipo and Libo had also emerged, along with Pipo’s death, pretty much as they happen in the first few chapters of the book you now hold in your hands. But I still wasn’t done. It still
wasn’t enough. I was about 200 pages deep and the book was dead in my hands and I

didn’t know what to do.
It happened that a good friend of mine, Gregg Keizer, was working for Compute!
In fact, I was the one who had recruited him away from his job as a junior high
school English teacher (for which I think he has forgiven me) and brought him out to North Carolina. I had met Gregg when he became my student at a science fiction writing class I taught in the University of Utah’s evening school program back in the seventies. He was one of those frustrating students who are simply brilliant when they walk in the door, so the teacher can’t take the slightest credit for anything they do. He was also one of the most decent human beings I know, which makes me very nervous around him—so nervous, in fact, that the only times I have ever gotten thoroughly and stupidly lost have been while he was in the car with me and I was supposed to know where I was going. Some teacher!
(I once was so certain that a story of Gregg’s would sell that I made a wager with my class—if it didn’t sell within one year, I would run naked through the corridors of Orson Spencer Hall on the U of U campus, which is where our class met. The story didn’t sell in a year—a pox on editors!—and, perhaps out of an exaggerated
commitment to aesthetics, I reneged on the bet. Since the story did sell a short while afterward, Gregg has never demanded that I make good, but he does have the debt hanging over my head.)
Anyway, right during the time that I was stymied on Speaker, Gregg and I decided to go to New York for the 1985 Nebula weekend. Ender’s Game had only just been published, and neither of us had anything on the ballot. We just wanted to go to New York and to the Nebulas, so why not? I brought along the manuscript of Speaker for him to read—or perhaps I gave it to him in advance—I don’t remember now. I do remember, though, sitting at the foot of his bed while he lay there and explained the problems he saw in Speaker.
He had many good ideas. Of course, most of them dealt with small fixes for problems in the manuscript as it now stood. One comment he made, however, illuminated everything for me. “I couldn’t tell Novinha’s kids apart,” he said. “I couldn’t remember which was which.”
I had enough experience by then to know exactly what this meant. He couldn’t tell
Novinha’s kids apart because they weren’t characters. They were nothing but placeholders. At first I toyed with the idea of simply cutting them out. In my novel Saints, I had run into a problem with a younger sister of my protagonist—I kept forgetting she existed and completely neglecting her for hundreds of pages at a time. The solution was to eliminate the character; callously, I had her die in infancy. But excision wasn’t the right move in this case. Because I wanted Novinha to be voluntarily isolated, I had to have her be otherwise acceptable to her neighbors. In a Catholic colony like Lusitania, this meant Novinha needed to have a bunch of kids.

Yet I had no idea who they were or what they would do in the story. Once you’ve read Speaker, of course, you’ll wonder what the story would be without Novinha’s children, and the answer is, It wouldn’t be much! But at the time I hadn’t developed their role in the story; yet there was something in the story that led Gregg to want them to amount to something more—that made him want to be able to tell them apart.
It meant throwing out all but the first couple of chapters of what I had written so far (and, in fact, I ended up completely writing the novel from the beginning), but it soon dawned on me that it was worth doing, for this was the final idea, the one that would pull me through the whole book. I had observed before that one thing wrong with science fiction as a whole was that almost all the heroes seemed to spring fully- grown from the head of Zeus—no one had families. If there was a mention of
parents at all, it was to tell us they were dead, or such miserable specimens of humanity that the hero could hardly wait to get out of town.
Not only did they have no parents, few science fiction heroes seemed to marry and have kids. In short, the heroes of most science fiction novels were perpetual adolescents, lone rangers who wandered the universe avoiding commitments. This shouldn’t be surprising. The romantic hero is invariably one who is going through
the adolescent phase of human life. The child phase—the one I had dealt with most often in my fiction—is the time of complete dependence on others to create our identity and our worldview. Little children gladly accept even the strangest stories that others tell them, because they lack either the context or the confidence to doubt. They go along because they don’t know how to be alone, either physically or intellectually.
Gradually, however, this dependency breaks down—and children catch the first glimmers of a world that is different from the one they thought they lived in, they break away the last vestiges of adult control themselves, much as a baby bird breaks free of the last fragments of the egg. The romantic hero is unconnected. He belongs to no community; he is wandering from place to place, doing good (as he sees it),
but then moving on. This is the life of the adolescent, full of passion, intensity,
magic, and infinite possibility; but lacking responsibility, rarely expecting to have to stay and bear the consequences of error. Everything is played at twice the speed and twice the volume in the adolescent—the romantic—life.
Only when the loneliness becomes unbearable do adolescents root themselves, or try to root themselves. It may or may not be in the community of their childhood, and it may or may not be their childhood identity and connections that they resume upon entering adulthood. And, in fact, many fail at adulthood and constantly reach backward for the freedom and passion of adolescence. But those who achieve it are the ones who create civilization.

Most science fiction dealt with adolescent heroes, yes—but only because most fiction deals with adolescents. This is not to say that fiction about adolescents is necessarily adolescent fiction, either in the sense of being for an adolescent audience or in the sense of being undeveloped or immature fiction. Still, most storytellers invent their fables about the lives of footloose heroes—or heroes who become footloose for the sake of the story. Who but the adolescent is free to have the adventures that most of us are looking for when we turn to storytellers to satisfy our hunger?
And yet to me, at least, the most important stories are the ones that teach us how to be civilized: the stories about children and adults, about responsibility and dependency. Not being an adult myself, I had concentrated for many years on the child’s point of view, but with Speaker for the Dead I was old enough, and perhaps (finally) civilized enough, to create the small community of the family from an adult perspective—not necessarily the parent’s viewpoint, but rather the viewpoint of an adult who felt responsibility toward the family. That adult would be Ender, I knew; and the children would be formed into a family that was suffering, as a whole and individually. Thus I came to regard Speaker for the Dead as a perfect opportunity to show something only rarely seen in this genre of stories about the strange and wonderful: I could show the miracle of a family in transformation.
With this decision, of course, the focus changed. The novel was no longer exclusively about the mystery of the alien pequeninos. It was now at least as much about the redemption of Novinha’s family, the healing of their injured little community. More than that, it was about the idea of community itself—the community of Milagre, the community of the tribe of pequeninos.
This was not easy. Most novels get by with showing the relationships between two or, at the most, three characters. This is because the difficulty of creating a character increases with each new major character that is added to the tale. Characters, as most writers understand, are truly developed through their relationships with others. If there are only two significant characters, then there is only one relationship to be explored. If there are three characters, however, there are four relationships:
Between A and B, between B and C, between C and A, and finally the relationship
when all three are together.
Even this does not begin to explain the complexity—for in real life, at least, most people change, at least subtly, when they are with different people. The changes can be pretty major—I remember well my summer as a performer at the Sundance Summer Theatre in Utah. I was a 19-year-old trying to convince myself and others that I was a man, so with the other performers I became at least as profane—nay, foul-mouthed and filthy-minded—as the most immature of them. I worked hard to develop some fluidity and cleverness in my vulgarity, and won my share of laughs

from the others. Yet during this whole time I lived with my parents, coming down the mountain at insane speeds late at night, only to end up in a home where certain words were simply never said. And I never said them. Not once did I slip and speak in front of my family the way I spoke constantly in front of the other performers at Sundance. This was not by any herculean effort, either. I didn’t think about changing my behavior; it simply happened. When I was with my parents I wasn’t the same person.
I have seen this time and time again with my friends, with other family members. Our whole demeanor changes, our mannerisms, our figures of speech, when we move from one context to another. Listen to someone you know when they pick up the telephone. We have special voices for different people; our attitudes, our moods change depending on whom we are with.
So when a storyteller has to create three characters, each different relationship requires that each character in it must be transformed, however subtly, depending on how the relationship is shaping his or her present identity. Thus, in a three-character story, a storyteller who wishes to convince us of the reality of these characters really has to come up with a dozen different personas, four for each of them.
What happens, then, when you start with a family with a mother, a dead father, and six troubled children, and then add a stranger who intrudes into the family and transforms every one of them? It seemed to me like a sisyphean task, for I had to develop (or at least imply) dozens of personas, including the persona they had developed in order to deal with their dead father, and then show, clearly, how they all changed because of Ender’s influence on their lives.
Much of that, however, would have to come with the actual writing of the new draft of the novel. My immediate task was to differentiate clearly between Novinha’s children when the reader first encounters them. I sat there in the room I shared with Gregg, assigning some immediate and obvious trait to each of the children that would help the reader keep track of them. Oh, yes, Olhado is the one
with the metal eyes; Quara is the one who says outrageous things after long silences;
Grego is the violent one; Quim is the religious fanatic; Ela is the weary mother- figure; Miro is the eldest son, the hero in the others’ eyes. These “hooks” could only serve to introduce the children—I’d have to develop them far beyond that point—but having found those hooks, I had a plan that would let me proceed with confidence.
My novel had, at last, opened up to me, and I came home from that Nebula weekend and wrote the whole novel, from beginning to end, in a month. As I tell my writing students, once you get the beginning right, the ending almost writes itself.
One more thing, though. No matter how well-planned a novel is—and, in my case at least, it must be very well-planned before I can write it—there are still things that come up during the process of writing that you simply didn’t plan on. In my Alvin

Maker novels, for instance, the characters of Little Peggy and Arthur Stuart weren’t in any of my outlines, and yet they are now at the heart of that story. And in Speaker for the Dead, the character of Jane wasn’t in any of the outlines I made. Oh, yes, I gave him a computer connection through the jewel in his ear, but I didn’t know it was a person. Jane just grew because it was so fun to write her relationship with Ender. She helped bring him to life (he could so easily have been a stodgy, dull adult), and in the process came to life herself. By the time I was done with Speaker for the Dead, Jane was one of the most important characters in it, and much of the third book, Xenocide, centers around her.
Oh yes. The third book. I had never planned to write a third book. In fact, I really hadn’t planned to write a first book—Speaker was originally supposed to be a solo. But just as I was writing the last few chapters of Speaker, Barbara Bova called and said she had sold the Ender trilogy to an English publisher.
“The Ender trilogy?” I asked. “Barbara, there are only two.”
Naturally, she was a bit flummoxed. Of course she could always go back and renegotiate for only two books. But first, couldn’t I think a little bit and see if perhaps I might come up with a third story that I wanted to write?
At that moment I knew exactly the story I wanted to tell. It had nothing to do with Ender Wiggin or any of the characters in Speaker for the Dead. Rather it was an ancient project from early in my career, one that Jim Frenkel, then at Dell, had rejected because I just wasn’t mature enough, as a writer, to handle a project so difficult. Having solved the problems of Speaker for the Dead, though, I felt ready to tackle anything. It had been years since I had even thought about that story, then called Philotes, yet wasn’t it possible that by putting Ender Wiggin into it, I might
be able to bring it to life the way Speaker had come to life because of his presence? I
might fail, of course, but why not try?
Besides—and here you are about to learn something truly vile about me—having
a third book would mean that I didn’t have to figure out some way to resolve the two loose threads that I knew would be dangling at the end of Speaker: What happens to the hive queen? And what happens to the fleet that Starways Congress sends?
By agreeing to do a third Ender book I could leave those questions for the sequel,
and since I am a shamefully lazy man, I jumped at the chance. I jumped too soon— the book was every bit as difficult as Jim Frenkel had told me it would be, and it took years to get it right—and even then it is far and away the talkiest, most philosophical of my novels, which is just what the original outline of Philotes had required. Over the years the title of the third book changed, from Ender’s Children to Xenocide, and it also grew until it became two books, so that even Xenocide doesn’t finish the story (though the next one will, I swear it!).
And, like Speaker for the Dead before it, Xenocide was the hardest book I’d ever

written up to then. You see, the work of a storyteller doesn’t get any easier the more experience we get, because once we’ve learned how to do something, we can’t get excited about doing exactly the same thing again—or at least most of us can’t. We keep wanting to reach for the story that is too hard for us to tell—and then make ourselves learn how to tell it. If we succeed, then maybe we can write better and better books, or at least more challenging ones, or at the very least we won’t bore ourselves.
The danger that keeps me just a little frightened with every book I write, however, is that I’ll overreach myself once too often and try to write a story that I’m just plain not talented or skilled enough to write. That’s the dilemma every storyteller faces. It is painful to fail. But it is far sadder when a storyteller stops wanting to try.
Now I fear that I’ve told you more than you ever wanted to know about how Speaker for the Dead came to be. A writer’s life is boring indeed. I write stories about people who take risks, who reach out and change the world. But when it comes to my life, it mostly consists of hanging around at home, writing when I have to, playing computer games or watching TV whenever I can get away with it. My real life is being with my wife, with my children; going to church and teaching my Sunday school class; keeping in touch with my family and friends; and, the primary duty of every father, turning off lights throughout the house and muttering about
how I’m the only one who seems to care about turning them off because I’m the one who has to change the lousy light bulbs. I doubt that there’s much of a story in that.
But I hope that in the lives of Ender Wiggin, Novinha, Miro, Ela, Human, Jane, the hive queen, and so many others in this book, you will find stories worth holding in your memory, perhaps even in your heart. That’s the transaction that counts more than bestseller lists, royalty statements, awards, or reviews. Because in the pages of this book, you and I will meet one-on-one, my mind and yours, and you will enter a world of my making and dwell there, not as a character that I control, but as a person with a mind of your own. You will make of my story what you need it to be, if you can. I hope my tale is true enough and flexible enough that you can make it into a world worth living in.
Orson Scott Card
Greensboro, North Carolina
29 March 1991

SOME PEOPLE OF LUSITANIA COLONY








Pipo (Joao Figueira Alvarez)

Xenologers (Zenadores)

Libo (Liberdade Graças a Deus Figueira de Medici)
Miro (Marcos Vladimir Ribeira von Hesse)
Ouanda (Ouanda Quenhatta Figueira Mucumbi)


Xenobiologists (Biologistas)
Gusto (Vladimir Tiago Gussman)
Cida (Ekaterina Maria Aparecida do Norte von Hesse-Gussman)
Novinha (Ivanova Santa Catarina von Hesse)
Ela (Ekaterina Elanora Ribeira von Hesse)


Governor
Bosquinha (Faria Lima Maria do Bosque)




Peregrino (Armão Cebola)

Bishop


Abbot and Principal of the Monastery
Dom Cristão (Amai a Tudomundo Para Que Deus vos Ame Cristão)
Dona Cristã (Detestai o Pecado e Fazei o Direito Cristã)








*All dates are expressed as years after adoption of the Starways Code.

PRONOUNCING FOREIGN NAMES





Three human languages are used by characters in this book. Stark, since it originated as English, is represented as English in the book. The Nordic spoken on Trondheim evolved from Swedish. Portuguese is the native language of Lusitania. On every world, however, schoolchildren are taught Stark from the beginning.
The Portuguese language, while unusually beautiful when spoken aloud, is very difficult for readers who are accustomed to English to sound out from the written letters. Even if you aren’t planning to read this book aloud, you may be more comfortable if you have a general idea of how the Portuguese names and phrases are pronounced.
Consonants: Single consonants are pronounced more or less as they are in English, with the addition of ç, which always sounds like ss. Exceptions are j, which is pronounced like the z in azure, as is g when followed by e or i; and the initial r and double rr, which are pronounced somewhere between the American h and the Yiddish ch.
Vowels: Single vowels are pronounced more or less as follows: a as in father, e as in get, i like the ee in fee, o as in throne, and u like the oo in toot. (This is a gross oversimplification, since there are really two distinct a sounds, neither of which is really like the a in father, three meaning-changing ways to pronounce e—é, ê, and the quick e at the end of a word—and three meaning-changing ways to pronounce o—ó, ô, and the quick o at the ends of words. But it’s close enough to get you through this book.)
Consonant combinations: The combination lh is pronounced like the lli in William; nh, like the ni in onion. The combination ch is always pronounced like the English sh. The combination qu, when followed by e or i, is pronounced like the English k; when followed by a, o, or u, like the English qu; the same pattern is followed by gu. Thus Quara is pronounced KWAH-rah, while Figueira is pronounced fee-GAY-rah.
Vowel combinations: The combination ou is pronounced like the ow in throw; ai,
like igh in high; ei, like eigh in weigh. The combination eu is not found in English; it is pronounced as a very quick combination of the e in get and the u in put.
Nasal vowels: A vowel or vowel combination with a tilde—usually ão and ã—or the combination am at the end of a word are all nasalized. That is, they are pronounced as if the vowel were going to end with the English ng sound, only the ng is never quite closed. In addition, the syllable with a tilde is always stressed, so that

the name Marcão is pronounced mah-KOWNG. (Syllables with ˆ and ′ accent marks are also stressed.)
If I told you that when t comes before the i sound it’s pronounced like the English
ch, and d follows the same pattern to sound like the English j, or if I mentioned that x always sounds like sh except when it sounds like z, you might well give up entirely, so I won’t.





PROLOGUE












In the year 1830, after the formation of Starways Congress, a robot scout ship sent a report by ansible: The planet it was investigating was well within the parameters for human life. The nearest planet with any kind of population pressure was Baía; Starways Congress granted them the exploration license.
So it was that the first humans to see the new world were Portuguese by language, Brazilian by culture, and Catholic by creed. In the year 1886 they disembarked from their shuttle, crossed themselves, and named the planet Lusitania—the ancient name of Portugal. They set about cataloguing the flora and fauna. Five days later they realized that the little forest-dwelling animals that they had called porquinhos— piggies—were not animals at all.
For the first time since the Xenocide of the Buggers by the monstrous Ender, humans had found intelligent alien life. The piggies were technologically primitive, but they used tools and built houses and spoke a language. “It is another chance God has given us,” declared Archcardinal Pio of Baía. “We can be redeemed for the destruction of the buggers.”
The members of Starways Congress worshipped many gods, or none, but they agreed with the Archcardinal. Lusitania would be settled from Baía, and therefore under Catholic License, as tradition demanded. But the colony could never spread beyond a limited area or exceed a limited population. And it was bound, above all, by one law:
The piggies were not to be disturbed.


1

PIPO











Since we are not yet fully comfortable with the idea that people from the next village are as human as ourselves, it is presumptuous in the extreme to suppose we could ever look at sociable, tool-making creatures who arose from other evolutionary paths and see not beasts but brothers, not rivals but fellow pilgrims journeying to the shrine of intelligence.
Yet that is what I see, or yearn to see. The difference between raman and varelse is not in the creature judged, but in the creature judging. When we declare an alien species to be raman, it does not mean that they have passed a threshold of moral maturity. It means that we have.

—Demosthenes, Letter to the Framlings



Rooter was at once the most difficult and the most helpful of the pequeninos. He was always there whenever Pipo visited their clearing, and did his best to answer the questions Pipo was forbidden by law to come right out and ask. Pipo depended on him—too much, probably—yet though Rooter clowned and played like the irresponsible youngling that he was, he also watched, probed, tested. Pipo always
had to beware of the traps that Rooter set for him.
A moment ago Rooter had been shimmying up trees, gripping the bark with only the horny pads on his ankles and inside his thighs. In his hands he carried two sticks
—Father Sticks, they were called—which he beat against the tree in a compelling, arhythmic pattern as he climbed.
The noise brought Mandachuva out of the log house. He called to Rooter in the Males’ Language, and then in Portuguese. “P’ra baixo, bicho!” Several piggies nearby, hearing his Portuguese wordplay, expressed their appreciation by rubbing their thighs together sharply. It made a hissing noise, and Mandachuva took a little hop in the air in delight at their applause.

Rooter, in the meantime, bent over backward until it seemed certain he would fall. Then he flipped off with his hands, did a somersault in the air, and landed on his
legs, hopping a few times but not stumbling. “So now you’re an acrobat,” said Pipo.
Rooter swaggered over to him. It was his way of imitating humans. It was all the more effective as ridicule because his flattened upturned snout looked decidedly porcine. No wonder that offworlders called them “piggies.” The earliest visitors to this world had started calling them that in their first reports back in ’86, and by the time Lusitania Colony was founded in 1925, the name was indelible. The xenologers scattered among the Hundred Worlds wrote of them as “Lusitanian Aborigines,” though Pipo knew perfectly well that this was merely a matter of professional dignity; except in scholarly papers, xenologers no doubt called them piggies, too. As for Pipo, he usually called them pequeninos, and they seemed not to object, for now they called themselves “Little Ones.” Still, dignity or not, there was no denying it.
At moments like this, Rooter looked like a hog on its hind legs.
“Acrobat,” Rooter said, trying out the new word. “What I did? You have a word for people who do that? So there are people who do that as their work?”
Pipo sighed silently, even as he froze his smile in place. The law strictly forbade him to share information about human society, lest it contaminate piggy culture. Yet Rooter played a constant game of squeezing the last drop of implication out of everything Pipo said. This time, though, Pipo had no one to blame but himself, letting out a silly remark that opened unnecessary windows onto human life. Now and then he got so comfortable among the pequeninos that he spoke naturally. Always a danger. I’m not good at this constant game of taking information while trying to give nothing in return. Libo, my close-mouthed son, already he’s better at discretion than I am, and he’s only been apprenticed to me—how long since he turned thirteen?—four months.
“I wish I had pads on my legs like yours,” said Pipo. “The bark on that tree would rip my skin to shreds.”
“That would cause us all to be ashamed.” Rooter held still in the expectant posture
that Pipo thought of as their way of showing mild anxiety, or perhaps a nonverbal warning to other pequeninos to be cautious. It might also have been a sign of extreme fear, but as far as Pipo knew he had never seen a pequenino show extreme fear.
In any event, Pipo spoke quickly to calm him. “Don’t worry, I’m too old and soft to climb trees like that. I’ll leave it to you younglings.”
And it worked; Rooter’s body at once became mobile again. “I like to climb trees. I can see everything.” Rooter squatted in front of Pipo and leaned his face in close. “Will you bring the beast that runs over the grass without touching the ground? The

others don’t believe me when I say I saw such a thing.”
Another trap. What, Pipo, xenologer, will you humiliate this individual of the community you’re studying? Or will you adhere to the rigid law set up by Starways Congress to govern this encounter? There were few precedents. The only other intelligent aliens that humankind had encountered were the buggers, three thousand years ago, and at the end of it the buggers were all dead. This time Starways Congress was making sure that if humanity erred, their errors would be in the opposite direction. Minimal information, minimal contact.
Rooter recognized Pipo’s hesitation, his careful silence.
“You never tell us anything,” said Rooter. “You watch us and study us, but you never let us past your fence and into your village to watch you and study you.”
Pipo answered as honestly as he could, but it was more important to be careful than to be honest. “If you learn so little and we learn so much, why is it that you speak both Stark and Portuguese while I’m still struggling with your language?”
“We’re smarter.” Then Rooter leaned back and spun around on his buttocks so his back was toward Pipo. “Go back behind your fence,” he said.
Pipo stood at once. Not too far away, Libo was with three pequeninos, trying to learn how they wove dried merdona vines into thatch. He saw Pipo and in a moment was with his father, ready to go. Pipo led him off without a word; since the pequeninos were so fluent in human languages, they never discussed what they had learned until they were inside the gate.
It took a half hour to get home, and it was raining heavily when they passed through the gate and walked along the face of the hill to the Zenador’s Station. Zenador? Pipo thought of the word as he looked at the small sign above the door. On it the word XENOLOGER was written in Stark. That is what I am, I suppose, thought Pipo, at least to the offworlders. But the Portuguese title Zenador was so much
easier to say that on Lusitania hardly anyone said xenologer, even when speaking Stark. That is how languages change, thought Pipo. If it weren’t for the ansible, providing instantaneous communication among the Hundred Worlds, we could not possibly maintain a common language. Interstellar travel is far too rare and slow. Stark would splinter into ten thousand dialects within a century. It might be interesting to have the computers run a projection of linguistic changes on Lusitania, if Stark were allowed to decay and absorb Portuguese—or vice-versa.
“Father,” said Libo.
Only then did Pipo notice that he had stopped ten meters away from the station. Tangents. The best parts of my intellectual life are tangential, in areas outside my expertise. I suppose because within my area of expertise the regulations they have placed upon me make it impossible to know or understand anything. The science of xenology insists on more mysteries than Mother Church.

His handprint was enough to unlock the door. Pipo knew how the evening would unfold even as he stepped inside to begin. It would take several hours of work at the terminals for them both to report what they had done during today’s encounter. Pipo would then read over Libo’s notes, and Libo would read Pipo’s, and when they were satisfied, Pipo would write up a brief summary and then let the computers take it from there, filing the notes and also transmitting them instantly, by ansible, to the xenologers in the rest of the Hundred Worlds. More than a thousand scientists whose whole career is studying the one alien race we know, and except for what little the satellites can discover about this arboreal species, all the information my colleagues have is what Libo and I send them. This is definitely minimal intervention.
But when Pipo got inside the station, he saw at once that it would not be an evening of steady but relaxing work. Dona Cristã was there, dressed in her monastic robes. Was it one of the younger children, in trouble at school?
“No, no,” said Dona Cristã. “All your children are doing very well, except this one, who I think is far too young to be out of school and working here, even as an apprentice.”
Libo said nothing. A wise decision, thought Pipo. Dona Cristã was a brilliant and engaging, perhaps even beautiful, young woman, but she was first and foremost a monk of the order of the Filhos da Mente de Cristo, Children of the Mind of Christ, and she was not beautiful to behold when she was angry at ignorance and stupidity.
It was amazing the number of quite intelligent people whose ignorance and stupidity had melted somewhat in the fire of her scorn. Silence, Libo, it’s a policy that will do you good.
“I’m not here about any child of yours at all,” said Dona Cristã. “I’m here about
Novinha.”
Dona Cristã did not have to mention a last name; everybody knew Novinha. The terrible Descolada had ended only eight years before. The plague had threatened to wipe out the colony before it had a fair chance to get started; the cure was
discovered by Novinha’s father and mother, Gusto and Cida, the two xenobiologists.
It was a tragic irony that they found the cause of the disease and its treatment too late to save themselves. Theirs was the last Descolada funeral.
Pipo clearly remembered the little girl Novinha, standing there holding Mayor Bosquinha’s hand while Bishop Peregrino conducted the funeral mass himself. No— not holding the Mayor’s hand. The picture came back to his mind, and, with it, the way he felt. What does she make of this? he remembered asking himself. It’s the funeral of her parents, she’s the last survivor in her family; yet all around her she
can sense the great rejoicing of the people of this colony. Young as she is, does she understand that our joy is the best tribute to her parents? They struggled and succeeded, finding our salvation in the waning days before they died; we are here to

celebrate the great gift they gave us. But to you, Novinha, it’s the death of your parents, as your brothers died before. Five hundred dead, and more than a hundred masses for the dead here in this colony in the last six months, and all of them were held in an atmosphere of fear and grief and despair. Now, when your parents die, the fear and grief and despair are no less for you than ever before—but no one else shares your pain. It is the relief from pain that is foremost in our minds.
Watching her, trying to imagine her feelings, he succeeded only in rekindling his own grief at the death of his own Maria, seven years old, swept away in the wind of death that covered her body in cancerous growth and rampant funguses, the flesh swelling or decaying, a new limb, not arm or leg, growing out of her hip, while the flesh sloughed off her feet and head, baring the bones, her sweet and beautiful body destroyed before their eyes, while her bright mind was mercilessly alert, able to feel all that happened to her until she cried out to God to let her die. Pipo remembered that, and then remembered her requiem mass, shared with five other victims. As he sat, knelt, stood there with his wife and surviving children, he had felt the perfect unity of the people in the Cathedral. He knew that his pain was everybody’s pain, that through the loss of his eldest daughter he was bound to his community with the inseparable bonds of grief, and it was a comfort to him, it was something to cling to. That was how such a grief ought to be, a public mourning.
Little Novinha had nothing of that. Her pain was, if anything, worse than Pipo’s had been—at least Pipo had not been left without any family at all, and he was an adult, not a child terrified by suddenly losing the foundation of her life. In her grief she was not drawn more tightly into the community, but rather excluded from it. Today everyone was rejoicing, except her. Today everyone praised her parents; she alone yearned for them, would rather they had never found the cure for others if only they could have remained alive themselves.
Her isolation was so acute that Pipo could see it from where he sat. Novinha took her hand away from the Mayor as quickly as possible. Her tears dried up as the mass progressed; by the end she sat in silence, like a prisoner refusing to cooperate with her captors. Pipo’s heart broke for her. Yet he knew that even if he tried, he could
not conceal his own gladness at the end of the Descolada, his rejoicing that none of
his other children would be taken from him. She would see that; his effort to comfort her would be a mockery, would drive her further away.
After the mass she walked in bitter solitude amid the crowds of well-meaning people who cruelly told her that her parents were sure to be saints, sure to sit at the right hand of God. What kind of comfort is that for a child? Pipo whispered aloud to his wife, “She’ll never forgive us for today.”
“Forgive?” Conceição was not one of those wives who instantly understand her husband’s train of thought. “We didn’t kill her parents . . .”

“But we’re all rejoicing today, aren’t we? She’ll never forgive us for that.” “Nonsense. She doesn’t understand anyway; she’s too young.”
She understands, Pipo thought. Didn’t Maria understand things when she was even younger than Novinha is now?
As the years passed—eight years now—he had seen her from time to time. She was his son Libo’s age, and until Libo’s thirteenth birthday that meant they were in many classes together. He heard her give occasional readings and speeches, along with other children. There was an elegance to her thought, an intensity to her examination of ideas, which appealed to him. At the same time, she seemed utterly cold, completely removed from everyone else. Pipo’s own boy, Libo, was shy, but even so he had several friends and had won the affection of his teachers. Novinha, though, had no friends at all, no one whose gaze she sought after a moment of triumph. There was no teacher who genuinely liked her, because she refused to reciprocate, to respond. “She is emotionally paralyzed,” Dona Cristã said once when Pipo asked about her. “There is no reaching her. She swears that she’s perfectly happy, and doesn’t see any need to change.”
Now Dona Cristã had come to the Zenador’s Station to talk to Pipo about Novinha. Why Pipo? He could guess only one reason for the principal of the school to come to him about this particular orphaned girl. “Am I to believe that in all the
years you’ve had Novinha in your school, I’m the only person who asked about her?” “Not the only person,” she said. “There was all kinds of interest in her a couple of
years ago, when the Pope beatified her parents. Everybody asked then whether the daughter of Gusto and Cida, Os Venerados, had ever noticed any miraculous events associated with her parents, as so many other people had.”
“They actually asked her that?”
“There were rumors, and Bishop Peregrino had to investigate.” Dona Cristã got a bit tight-lipped when she spoke of the young spiritual leader of Lusitania Colony. But then, it was said that the hierarchy never got along well with the order of the Filhos da Mente de Cristo. “Her answer was instructive.”
“I can imagine.”
“She said, more or less, that if her parents were actually listening to prayers and had any influence in heaven to get them granted, then why wouldn’t they have answered her prayer, for them to return from the grave? That would be a useful miracle, she said, and there are precedents. If Os Venerados actually had the power to grant miracles, then it must mean they did not love her enough to answer her prayer. She preferred to believe that her parents still loved her, and simply did not have the power to act.”
“A born sophist,” said Pipo.
“A sophist and an expert in guilt: she told the Bishop that if the Pope declared her

parents to be venerable, it would be the same as the Church saying that her parents hated her. The petition for canonization of her parents was proof that Lusitania despised her; if it was granted, it would be proof that the Church itself was despicable. Bishop Peregrino was livid.”
“I notice he sent in the petition anyway.”
“For the good of the community. And there were all those miracles.”
“Someone touches the shrine and a headache goes away and they cry ‘Milagre!—
os santos me abençoaram!’” Miracle!—the saints have blessed me!
“You know that Holy Rome requires more substantial miracles than that. But it doesn’t matter. The Pope graciously allowed us to call our little town Milagre, and now I imagine that every time someone says that name, Novinha burns a little hotter with her secret rage.”
“Or colder. One never knows what temperature that sort of thing will take.” “Anyway, Pipo, you aren’t the only one who ever asked about her. But you’re the
only one who ever asked about her for her own sake, and not because of her Blessed parents.”
It was a sad thought, that except for the Filhos, who ran the schools of Lusitania, there had been no concern for the girl except the slender shards of attention Pipo had spared for her over the years.
“She has one friend,” said Libo.
Pipo had forgotten that his son was there—Libo was so quiet that he was easy to overlook. Dona Cristã also seemed startled. “Libo,” she said, “I think we were indiscreet, talking about one of your schoolmates like this.”
“I’m apprentice Zenador now,” Libo reminded her. It meant he wasn’t in school. “Who is her friend?” asked Pipo.
“Marcão.”
“Marcos Ribeira,” Dona Cristã explained. “The tall boy—” “Ah, yes, the one who’s built like a cabra.”
“He is strong,” said Dona Cristã. “But I’ve never noticed any friendship between
them.”
“Once when Marcão was accused of something, and she happened to see it, she spoke for him.”
“You put a generous interpretation on it, Libo,” said Dona Cristã. “I think it is more accurate to say she spoke against the boys who actually did it and were trying to put the blame on him.”
“Marcão doesn’t see it that way,” said Libo. “I noticed a couple of times, the way he watches her. It isn’t much, but there is somebody who likes her.”
“Do you like her?” asked Pipo.
Libo paused for a moment in silence. Pipo knew what it meant. He was examining

himself to find an answer. Not the answer that he thought would be most likely to bring him adult favor, and not the answer that would provoke their ire—the two kinds of deception that most children his age delighted in. He was examining himself to discover the truth.
“I think,” Libo said, “that I understood that she didn’t want to be liked. As if she were a visitor who expected to go back home any day.”
Dona Cristã nodded gravely. “Yes, that’s exactly right, that’s exactly the way she seems. But now, Libo, we must end our indiscretion by asking you to leave us while we—”
He was gone before she finished her sentence, with a quick nod of his head, a half- smile that said, Yes, I understand, and a deftness of movement that made his exit more eloquent proof of his discretion than if he had argued to stay. By this Pipo
knew that Libo was annoyed at being asked to leave; he had a knack for making adults feel vaguely immature by comparison to him.
“Pipo,” said the principal, “she has petitioned for an early examination as xenobiologist. To take her parents’ place.”
Pipo raised an eyebrow.
“She claims that she has been studying the field intensely since she was a little child. That she’s ready to begin the work right now, without apprenticeship.”
“She’s thirteen, isn’t she?”
“There are precedents. Many have taken such tests early. One even passed it younger than her. It was two thousand years ago, but it was allowed. Bishop Peregrino is against it, of course, but Mayor Bosquinha, bless her practical heart, has pointed out that Lusitania needs a xenobiologist quite badly—we need to be about
the business of developing new strains of plant life so we can get some decent variety in our diet and much better harvests from Lusitanian soil. In her words, ‘I don’t care if it’s an infant, we need a xenobiologist.’ ”
“And you want me to supervise her examination?” “If you would be so kind.”
“I’ll be glad to.”
“I told them you would.”
“I confess I have an ulterior motive.” “Oh?”
“I should have done more for the girl. I’d like to see if it isn’t too late to begin.” Dona Cristã laughed a bit. “Oh, Pipo, I’d be glad for you to try. But do believe me,
my dear friend, touching her heart is like bathing in ice.”
“I imagine. I imagine it feels like bathing in ice to the person touching her. But how does it feel to her? Cold as she is, it must surely burn like fire.”
“Such a poet,” said Dona Cristã. There was no irony in her voice; she meant it.

“Do the piggies understand that we’ve sent our very best as our ambassador?” “I try to tell them, but they’re skeptical.”
“I’ll send her to you tomorrow. I warn you—she’ll expect to take the examinations cold, and she’ll resist any attempt on your part to pre-examine her.”
Pipo smiled. “I’m far more worried about what will happen after she takes the test. If she fails, then she’ll have very bad problems. And if she passes, then my problems will begin.”
“Why?”
“Libo will be after me to let him examine early for Zenador. And if he did that,
there’d be no reason for me not to go home, curl up, and die.”
“Such a romantic fool you are, Pipo. If there’s any man in Milagre who’s capable of accepting his thirteen-year-old son as a colleague, it’s you.”
After she left, Pipo and Libo worked together, as usual, recording the day’s events with the pequeninos. Pipo compared Libo’s work, his way of thinking, his insights, his attitudes, with those of the graduate students he had known in university before joining the Lusitania Colony. He might be small, and there might be a lot of theory and knowledge for him yet to learn, but he was already a true scientist in his method, and a humanist at heart. By the time the evening’s work was done and they walked home together by the light of Lusitania’s large and dazzling moon, Pipo had decided that Libo already deserved to be treated as a colleague, whether he took the examination or not. The tests couldn’t measure the things that really counted, anyway.
And whether she liked it or not, Pipo intended to find out if Novinha had the unmeasurable qualities of a scientist; if she didn’t, then he’d see to it she didn’t take the test, regardless of how many facts she had memorized.





Pipo meant to be difficult. Novinha knew how adults acted when they planned not to do things her way, but didn’t want a fight or even any nastiness. Of course, of course you can take the test. But there’s no reason to rush into it, let’s take some time, let me make sure you’ll be successful on the first attempt.
Novinha didn’t want to wait. Novinha was ready.
“I’ll jump through any hoops you want,” she said.
His face went cold. Their faces always did. That was all right, coldness was all right, she could freeze them to death. “I don’t want you to jump through hoops,” he said.
“The only thing I ask is that you line them up all in a row so I can jump through them quickly. I don’t want to be put off for days and days.”
He looked thoughtful for a moment. “You’re in such a hurry.”

“I’m ready. The Starways Code allows me to challenge the test at any time. It’s between me and the Starways Congress, and I can’t find anywhere that it says a xenologer can try to second-guess the Interplanetary Examinations Board.”
“Then you haven’t read carefully.”
“The only thing I need to take the test before I’m sixteen is the authorization of my legal guardian. I don’t have a legal guardian.”
“On the contrary,” said Pipo. “Mayor Bosquinha was your legal guardian from the day of your parents’ death.”
“And she agreed I could take the test.” “Provided you came to me.”
Novinha saw the intense look in his eyes. She didn’t know Pipo, so she thought it was the look she had seen in so many eyes, the desire to dominate, to rule her, the desire to cut through her determination and break her independence, the desire to make her submit.
From ice to fire in an instant. “What do you know about xenobiology! You only go out and talk to the piggies, you don’t even begin to understand the workings of genes! Who are you to judge me! Lusitania needs a xenobiologist, and they’ve been without one for eight years. And you want to make them wait even longer, just so you can be in control!”
To her surprise, he didn’t become flustered, didn’t retreat. Nor did he get angry in return. It was as if she hadn’t spoken.
“I see,” he said quietly. “It’s because of your great love of the people of Lusitania that you wish to become xenobiologist. Seeing the public need, you sacrificed and prepared yourself to enter early into a lifetime of altruistic service.”
It sounded absurd, hearing him say it like that. And it wasn’t at all what she felt. “Isn’t that a good enough reason?”
“If it were true, it would be good enough.” “Are you calling me a liar?”
“Your own words called you a liar. You spoke of how much they, the people of
Lusitania, need you. But you live among us. You’ve lived among us all your life. Ready to sacrifice for us, and yet you don’t feel yourself to be part of this community.”
So he wasn’t like the adults who always believed lies as long as they made her seem to be the child they wanted her to be. “Why should I feel like part of the community? I’m not.”
He nodded gravely, as if considering her answer. “What community are you a part of?”
“The only other communities on Lusitania are the piggies, and you haven’t seen me out there with the tree-worshippers.”

“There are many other communities on Lusitania. For instance, you’re a student—
there’s a community of students.” “Not for me.”
“I know. You have no friends, you have no intimate associates, you go to mass but you never go to confession, you are so completely detached that as far as possible you don’t touch the life of this colony, you don’t touch the life of the human race at any point. From all the evidence, you live in complete isolation.”
Novinha wasn’t prepared for this. He was naming the underlying pain of her life, and she didn’t have a strategy devised to cope with it. “If I do, it isn’t my fault.”
“I know that. I know where it began, and I know whose fault it was that it continues to this day.”
“Mine?”
“Mine. And everyone else’s. But mine most of all, because I knew what was happening to you and I did nothing at all. Until today.”
“And today you’re going to keep me from the one thing that matters to me in my life! Thanks so much for your compassion!”
Again he nodded solemnly, as if he were accepting and acknowledging her ironic gratitude. “In one sense, Novinha, it doesn’t matter that it isn’t your fault. Because the town of Milagre is a community, and whether it has treated you badly or not, it must still act as all communities do, to provide the greatest possible happiness for all its members.”
“Which means everybody on Lusitania except me—me and the piggies.” “The xenobiologist is very important to a colony, especially one like this,
surrounded by a fence that forever limits our growth. Our xenobiologist must find ways to grow more protein and carbohydrate per hectare, which means genetically altering the Earthborn corn and potatoes to make—”
“To make maximum use of the nutrients available in the Lusitanian environment. Do you think I’m planning to take the examination without knowing what my life’s work would be?”
“Your life’s work, to devote yourself to improving the lives of people you
despise.”
Now Novinha saw the trap that he had laid for her. Too late; it had sprung. “So
you think that a xenobiologist can’t do her work unless she loves the people who use the things she makes?”
“I don’t care whether you love us or not. What I have to know is what you really want. Why you’re so passionate to do this.”
“Basic psychology. My parents died in this work, and so I’m trying to step into their role.”
“Maybe,” said Pipo. “And maybe not. What I want to know, Novinha, what I must

know before I’ll let you take the test, is what community you do belong to.” “You said it yourself! I don’t belong to any.”
“Impossible. Every person is defined by the communities she belongs to and the ones she doesn’t belong to. I am this and this and this, but definitely not that and that and that. All your definitions are negative. I could make an infinite list of the things you are not. But a person who really believes she doesn’t belong to any community
at all invariably kills herself, either by killing her body or by giving up her identity and going mad.”
“That’s me, insane to the root.”
“Not insane. Driven by a sense of purpose that is frightening. If you take this test you’ll pass it. But before I let you take it I have to know: Who will you become when you pass? What do you believe in, what are you part of, what do you care about, what do you love?”
“Nobody in this or any other world.” “I don’t believe you.”
“I’ve never known a good man or woman in the world except my parents and they’re dead! And even they—nobody understands anything.”
“You.”
“I’m part of anything, aren’t I? But nobody understands anybody, not even you, pretending to be so wise and compassionate but you’re only getting me to cry like this because you have the power to stop me from doing what I want to do—”
“And it isn’t xenobiology.”
“Yes it is! That’s part of it, anyway.” “And what’s the rest of it?”
“What you are. What you do. Only you’re doing it all wrong, you’re doing it
stupidly.”
“Xenobiologist and xenologer.”
“They made a stupid mistake when they created a new science to study the piggies. They were a bunch of tired old anthropologists who put on new hats and called themselves xenologers. But you can’t understand the piggies just by watching the way they behave! They came out of a different evolution! You have to understand their genes, what’s going on inside their cells. And the other animals’ cells, too, because they can’t be studied by themselves, nothing lives in isolation—”
Don’t lecture me, thought Pipo. Tell me what you feel. And to provoke her to be more emotional, he whispered, “Except you.”
It worked. From cold and contemptuous she became hot and defensive. “You’ll never understand them! But I will!”
“Why do you care about them? What are the piggies to you?”
“You’d never understand. You’re a good Catholic.” She said the word with

contempt. “It’s a book that’s on the Index.”
Pipo’s face glowed with sudden understanding. “The Hive Queen and the
Hegemon.”
“He lived three thousand years ago, whoever he was, the one who called himself the Speaker for the Dead. But he understood the buggers! We wiped them all out, the only other alien race we ever knew, we killed them all, but he understood.”
“And you want to write the story of the pequeninos the way the original Speaker wrote of the buggers.”
“The way you say it, you make it sound as easy as doing a scholarly paper. You don’t know what it was like to write the Hive Queen and the Hegemon. How much agony it was for him to—to imagine himself inside an alien mind—and come out of it filled with love for the great creature we destroyed. He lived at the same time as the worst human being who ever lived, Ender the Xenocide, who destroyed the buggers—and he did his best to undo what Ender did, the Speaker for the Dead tried to raise the dead—”
“But he couldn’t.”
“But he did! He made them live again—you’d know it if you had read the book! I don’t know about Jesus, I listen to Bishop Peregrino and I don’t think there’s any power in their priesthood to turn wafers into flesh or forgive a milligram of guilt. But the Speaker for the Dead brought the hive queen back to life.”
“Then where is she?” “In here! In me!”
He nodded. “And someone else is in you. The Speaker for the Dead. That’s who you want to be.”
“It’s the only true story I ever heard,” she said. “The only one I care about. Is that what you wanted to hear? That I’m a heretic? And my whole life’s work is going to be adding another book to the Index of truths that good Catholics are forbidden to read.”
“What I wanted to hear,” said Pipo softly, “was the name of what you are instead
of the name of all the things that you are not. What you are is the hive queen. What you are is the Speaker for the Dead. It’s a very small community, small in numbers, but a great-hearted one. So you chose not to be part of the bands of children who group together for the sole purpose of excluding others, and people look at you and say, poor girl, she’s so isolated, but you know a secret, you know who you really are. You are the one human being who is capable of understanding the alien mind, because you are the alien mind; you know what it is to be unhuman because there’s never been any human group that gave you credentials as a bona fide homo sapiens.”
“Now you say I’m not even human? You made me cry like a little girl because you wouldn’t let me take the test, you made me humiliate myself, and now you say

I’m unhuman?”
“You can take the test.” The words hung in the air. “When?” she whispered.
“Tonight. Tomorrow. Begin when you like. I’ll stop my work to take you through the tests as quickly as you like.”
“Thank you! Thank you, I—”
“Become the Speaker for the Dead. I’ll help you all I can. The law forbids me to take anyone but my apprentice, my son Libo, out to meet the pequeninos. But we’ll open our notes to you. Everything we learn, we’ll show you. All our guesses and speculation. In return, you also show us all your work, what you find out about the genetic patterns of this world that might help us understand the pequeninos. And when we’ve learned enough, together, you can write your book, you can become the Speaker. But this time not the Speaker for the Dead. The pequeninos aren’t dead.”
In spite of herself, she smiled. “The Speaker for the Living.”
“I’ve read the Hive Queen and the Hegemon, too,” he said. “I can’t think of a better place for you to find your name.”
But she did not trust him yet, did not believe what he seemed to be promising. “I’ll want to come here often. All the time.”
“We lock it up when we go home to bed.”
“But all the rest of the time. You’ll get tired of me. You’ll tell me to go away. You’ll keep secrets from me. You’ll tell me to be quiet and not mention my ideas.”
“We’ve only just become friends, and already you think I’m such a liar and cheat, such an impatient oaf.”
“But you will, everyone does; they all wish I’d go away—”
Pipo shrugged. “So? Sometime or other everybody wishes everybody would go away. Sometimes I’ll wish you would go away. What I’m telling you now is that even at those times, even if I tell you to go away, you don’t have to go away.”
It was the most bafflingly perfect thing that anyone had ever said to her. “That’s
crazy.”
“Only one thing. Promise me you’ll never try to go out to the pequeninos. Because I can never let you do that, and if somehow you do it anyway, Starways Congress would close down all our work here, forbid any contact with them. Do you promise me? Or everything—my work, your work—it will all be undone.”
“I promise.”
“When will you take the test?” “Now! Can I begin it now?”
He laughed gently, then reached out a hand and without looking touched the terminal. It came to life, the first genetic models appearing in the air above the

terminal.
“You had the examination ready,” she said. “You were all set to go! You knew that you’d let me do it all along!”
He shook his head. “I hoped. I believed in you. I wanted to help you do what you dreamed of doing. As long as it was something good.”
She would not have been Novinha if she hadn’t found one more poisonous thing to say. “I see. You are the judge of dreams.”
Perhaps he didn’t know it was an insult. He only smiled and said, “Faith, hope, and love—these three. But the greatest of these is love.”
“You don’t love me,” she said.
“Ah,” he said. “I am the judge of dreams, and you are the judge of love. Well, I find you guilty of dreaming good dreams, and sentence you to a lifetime of working and suffering for the sake of your dreams. I only hope that someday you won’t declare me innocent of the crime of loving you.” He grew reflective for a moment. “I lost a daughter in the Descolada. Maria. She would have been only a few years older than you.”
“And I remind you of her?”
“I was thinking that she would have been nothing at all like you.”
She began the test. It took three days. She passed it, with a score a good deal higher than many a graduate student. In retrospect, however, she would not remember the test because it was the beginning of her career, the end of her
childhood, the confirmation of her vocation for her life’s work. She would remember the test because it was the beginning of her time in Pipo’s Station, where Pipo and Libo and Novinha together formed the first community she belonged to since her parents were put into the earth.
It was not easy, especially at the beginning. Novinha did not instantly shed her habit of cold confrontation. Pipo understood it, was prepared to bend with her verbal blows. It was much more of a challenge for Libo. The Zenador’s Station had been a place where he and his father could be alone together. Now, without anyone asking his consent, a third person had been added, a cold and demanding person, who spoke to him as if he were a child, even though they were the same age. It galled him that she was a full-fledged xenobiologist, with all the adult status that that implied, when he was still an apprentice.
But he tried to bear it patiently. He was naturally calm, and quiet adhered to him.
He was not prone to taking umbrage openly. But Pipo knew his son and saw him burn. After a while even Novinha, insensitive as she was, began to realize that she was provoking Libo more than any normal young man could possibly endure. But instead of easing up on him, she began to regard it as a challenge. How could she force some response from this unnaturally calm, gentle-spirited, beautiful boy?

“You mean you’ve been working all these years,” she said one day, “and you don’t even know how the piggies reproduce? How do you know they’re all males?”
Libo answered softly. “We explained male and female to them as they learned our languages. They chose to call themselves males. And referred to the other ones, the ones we’ve never seen, as females.”
“But for all you know, they reproduce by budding! Or mitosis!”
Her tone was contemptuous, and Libo did not answer quickly. Pipo imagined he could hear his son’s thoughts, carefully rephrasing his answer until it was gentle and safe. “I wish our work were more like physical anthropology,” he said. “Then we would be more prepared to apply your research into Lusitania’s subcellular life patterns to what we learn about the pequeninos.”
Novinha looked horrified. “You mean you don’t even take tissue samples?” Libo blushed slightly, but his voice was still calm when he answered. The boy
would have been like this under questioning by the Inquisition, Pipo thought. “It is foolish, I guess,” said Libo, “but we’re afraid the pequeninos would wonder why we took pieces of their bodies. If one of them took sick by chance afterward, would they think we caused the illness?”
“What if you took something they shed naturally? You can learn a lot from a hair.”
Libo nodded; Pipo, watching from his terminal on the other side of the room, recognized the gesture—Libo had learned it from his father. “Many primitive tribes of Earth believed that sheddings from their bodies contained some of their life and strength. What if the piggies thought we were doing magic against them?”
“Don’t you know their language? I thought some of them spoke Stark, too.” She made no effort to hide her disdain. “Can’t you explain what the samples are for?”
“You’re right,” he said quietly. “But if we explained what we’d use the tissue samples for, we might accidently teach them concepts of biological science a thousand years before they would naturally have reached that point. That’s why the law forbids us to explain things like that.”
Finally, Novinha was abashed. “I didn’t realize how tightly you were bound by the
doctrine of minimal intervention.”
Pipo was glad to hear her retreat from her arrogance, but if anything, her humility was worse. The child was so isolated from human contact that she spoke like an excessively formal science book. Pipo wondered if it was already too late to teach her how to be a human being.
It wasn’t. Once she realized that they were excellent at their science, and that she knew almost nothing of it, she dropped her aggressive stance and went almost to the opposite extreme. For weeks she spoke to Pipo and Libo only rarely. Instead she studied their reports, trying to grasp the purpose behind what they were doing. Now

and then she had a question, and asked; they answered politely and thoroughly.
Politeness gradually gave way to familiarity. Pipo and Libo began to converse openly in front of her, airing their speculations about why the pequeninos had developed some of their strange behaviors, what meaning lay behind some of their odd statements, why they remained so maddeningly impenetrable. And since the study of pequeninos was a very new branch of science, it didn’t take long for Novinha to be expert enough, even at second hand, to offer some hypotheses. “After all,” said Pipo, encouraging her, “we’re all blind together.”
Pipo had foreseen what happened next. Libo’s carefully cultivated patience had made him seem cold and reserved to others of his age, when Pipo could prevail on him even to attempt to socialize; Novinha’s isolation was more flamboyant but no more thorough. Now, however, their common interest in the pequeninos drew them close—who else could they talk to, when no one but Pipo could even understand their conversations?
They relaxed together, laughed themselves to tears over jokes that could not possibly amuse any other Luso. Just as the piggies seemed to name every tree in the forest, Libo playfully named all the furniture in the Zenador’s Station, and periodically announced that certain items were in a bad mood and shouldn’t be disturbed. “Don’t sit on Chair! It’s her time of the month again.” They had never seen a pequenino female, and the males always seemed to refer to them with almost religious reverence; Novinha wrote a series of mock reports on an imaginary pequenino woman called Reverend Mother, who was hilariously bitchy and demanding.
It was not all laughter. There were problems, worries, and once a time of real fear that they might have done exactly what the Starways Congress had tried so hard to prevent—make radical changes in pequenino society. It began with Rooter of course. Rooter, who persisted in asking challenging, impossible questions, like, “If you have no other city of humans, how can you go to war? There’s no honor for you in killing Little Ones.” Pipo babbled something about how humans would never kill pequeninos, Little Ones; but he knew that this wasn’t the question Rooter was really asking.
Pipo had known for years that the pequeninos knew the concept of war, but for
days after that Libo and Novinha argued heatedly about whether Rooter’s question proved that the piggies regarded war as desirable or merely unavoidable. There were other bits of information from Rooter, some important, some not—and many whose importance was impossible to judge. In a way, Rooter himself was proof of the wisdom of the policy that forbade the xenologers to ask questions that would reveal human expectations, and therefore human practices. Rooter’s questions often gave them more answers than they got from his answers to their own questions.

The last information Rooter gave them, though, was not in a question. It was a guess, spoken to Libo privately, when Pipo was off with some of the others examining the way they built their log house. “I know I know,” said Rooter, “I know why Pipo is still alive. Your women are too stupid to know that he is wise.”
Libo struggled to make sense of this seeming non sequitur. What did Rooter think, that if human women were smarter, they would kill Pipo? The talk of killing was disturbing—this was obviously an important matter, and Libo did not know how to handle it alone. Yet he couldn’t call Pipo to help, since Rooter obviously wanted to discuss it where Pipo couldn’t hear.
When Libo didn’t answer, Rooter persisted. “Your women, they are weak and stupid. I told the others this, and they said I could ask you. Your women don’t see Pipo’s wisdom. Is this true?”
Rooter seemed very agitated; he was breathing heavily, and he kept pulling hairs from his arms, four and five at a time. Libo had to answer, somehow. “Most women don’t know him,” he said.
“Then how will they know if he should die?” asked Rooter. Then, suddenly, he went very still and spoke very loudly. “You are cabras!”
Only then did Pipo come into view, wondering what the shouting was about. He saw at once that Libo was desperately out of his depth. Yet Pipo had no notion what the conversation was even about—how could he help? All he knew was that Rooter was saying humans—or at least Pipo and Libo—were somehow like the large beasts that grazed in herds on the prairie. Pipo couldn’t even tell if Rooter was angry or happy.
“You are cabras! You decide!” He pointed at Libo and then at Pipo. “Your women don’t choose your honor, you do! Just like in battle, but all the time!”
Pipo had no idea what Rooter was talking about, but he could see that all the pequeninos were motionless as stumps, waiting for him—or Libo—to answer. It was plain Libo was too frightened by Rooter’s strange behavior to dare any response at all. In this case, Pipo could see no point but to tell the truth; it was, after all, a relatively obvious and trivial bit of information about human society. It was against the rules that the Starways Congress had established for him, but failing to answer would be even more damaging, and so Pipo went ahead.
“Women and men decide together, or they decide for themselves,” said Pipo.
“One doesn’t decide for the other.”
It was apparently what all the piggies had been waiting for. “Cabras,” they said, over and over; they ran to Rooter, hooting and whistling. They picked him up and rushed him off into the woods. Pipo tried to follow, but two of the piggies stopped him and shook their heads. It was a human gesture they had learned long before, but it held stronger meaning for the pequeninos. It was absolutely forbidden for Pipo to

follow. They were going to the women, and that was the one place the pequeninos had told them they could never go.
On the way home, Libo reported how the difficulty began. “Do you know what
Rooter said? He said our women were weak and stupid.”
“That’s because he’s never met Mayor Bosquinha. Or your mother, for that matter.”
Libo laughed, because his mother, Conceição, ruled the archives as if it were an ancient estação in the wild mato—if you entered her domain, you were utterly subject to her law. As he laughed, he felt something slip away, some idea that was important—what were we talking about? The conversation went on; Libo had forgotten, and soon he even forgot that he had forgotten.
That night they heard the drumming sound that Pipo and Libo believed was part of some sort of celebration. It didn’t happen all that often, like beating on great drums with heavy sticks. Tonight, though, the celebration seemed to go on forever. Pipo
and Libo speculated that perhaps the human example of sexual equality had somehow given the male pequeninos some hope of liberation. “I think this may qualify as a serious modification of pequenino behavior,” Pipo said gravely. “If we find that we’ve caused real change, I’m going to have to report it, and Congress will probably direct that human contact with pequeninos be cut off for a while. Years, perhaps.” It was a sobering thought—that doing their job faithfully might lead Starways Congress to forbid them to do their job at all.
In the morning Novinha walked with them to the gate in the high fence that separated the human city from the slopes leading up to the forest hills where the piggies lived. Because Pipo and Libo were still trying to reassure each other that neither of them could have done any differently, Novinha walked on ahead and got to the gate first. When the others arrived, she pointed to a patch of freshly cleared red earth only thirty meters or so up the hill from the gate. “That’s new,” she said. “And there’s something in it.”
Pipo opened the gate, and Libo, being younger, ran on ahead to investigate. He
stopped at the edge of the cleared patch and went completely rigid, staring down at whatever lay there. Pipo, seeing him, also stopped, and Novinha, suddenly frightened for Libo, ignored the regulation and ran through the gate. Libo’s head rocked backward and he dropped to his knees; he clutched his tight-curled hair and cried out in terrible remorse.
Rooter lay spread-eagled in the cleared dirt. He had been eviscerated, and not carelessly: Each organ had been cleanly separated, and the strands and filaments of his limbs had also been pulled out and spread in a symmetrical pattern on the drying soil. Everything still had some connection to the body—nothing had been
completely severed.

Libo’s agonized crying was almost hysterical. Novinha knelt by him and held him, rocked him, tried to soothe him. Pipo methodically took out his small camera and took pictures from every angle so the computer could analyze it in detail later.
“He was still alive when they did this,” Libo said, when he had calmed enough to speak. Even so, he had to say the words slowly, carefully, as if he were a foreigner just learning to speak. “There’s so much blood on the ground, spattered so far—his heart had to be beating when they opened him up.”
“We’ll discuss it later,” said Pipo.
Now the thing Libo had forgotten yesterday came back to him with cruel clarity. “It’s what Rooter said about the women. They decide when the men should die. He told me that, and I—” He stopped himself. Of course he did nothing. The law required him to do nothing. And at that moment he decided that he hated the law. If the law meant allowing this to be done to Rooter, then the law had no understanding. Rooter was a person. You don’t stand by and let this happen to a person just because you’re studying him.
“They didn’t dishonor him,” said Novinha. “If there’s one thing that’s certain, it’s the love that they have for trees. See?” Out of the center of his chest cavity, which was otherwise empty now, a very small seedling sprouted. “They planted a tree to mark his burial spot.”
“Now we know why they name all their trees,” said Libo bitterly. “They planted them as grave markers for the piggies they tortured to death.”
“This is a very large forest,” Pipo said calmly. “Please confine your hypotheses to what is at least remotely possible.” They were calmed by his quiet, reasoned tone,
his insistence that even now they behave as scientists. “What should we do?” asked Novinha.
“We should get you back inside the perimeter immediately,” said Pipo. “It’s forbidden for you to come out here.”
“But I meant—with the body—what should we do?”
“Nothing,” said Pipo. “The pequeninos have done what pequeninos do, for whatever reason pequeninos do it.” He helped Libo to his feet.
Libo had trouble standing for a moment; he leaned on both of them for his first few steps. “What did I say?” he whispered. “I don’t even know what it is I said that killed him.”
“It wasn’t you,” said Pipo. “It was me.”
“What, do you think you own them?” demanded Novinha. “Do you think their world revolves around you? As you said, the piggies did it, for whatever reason they have. It’s plain enough this isn’t the first time—they were too deft at the vivisection for this to be the first time.”
Pipo took it with black humor. “We’re losing our wits, Libo. Novinha isn’t

supposed to know anything about xenology.”
“You’re right,” said Libo. “Whatever may have triggered this, it’s something they’ve done before. A custom.” He was trying to sound calm.
“But that’s even worse, isn’t it?” said Novinha. “It’s their custom to gut each other alive.” She looked at the other trees of the forest that began at the top of the hill and wondered how many of them were rooted in blood.
Pipo sent his report on the ansible, and the computer didn’t give him any trouble about the priority level. He left it up to the oversight committee to decide whether contact with the piggies should be stopped. The committee could not identify any fatal error. “It is impossible to conceal the relationship between our sexes, since someday a woman may be xenologer,” said the report, “and we can find no point at which you did not act reasonably and prudently. Our tentative conclusion is that you were unwitting participants in some sort of power struggle, which was decided against Rooter, and that you should continue your contact with all reasonable prudence.”
It was complete vindication, but it still wasn’t easy to take. Libo had grown up knowing the piggies, or at least hearing about them from his father. He knew Rooter better than he knew any human being besides his family and Novinha. It took days for Libo to come back to the Zenador’s Station, weeks before he would go back out into the forest. The piggies gave no sign that anything had changed; if anything, they were more open and friendly than before. No one ever spoke of Rooter, least of all
Pipo and Libo. There were changes on the human side, however. Pipo and Libo never got more than a few steps away from each other when they were among them.
The pain and remorse of that day drew Libo and Novinha to rely on each other even more, as though darkness bound them closer than light. The piggies now seemed dangerous and uncertain, just as human company had always been, and between Pipo and Libo there now hung the question of who was at fault, no matter how often each tried to reassure the other. So the only good and reliable thing in Libo’s life was Novinha, and in Novinha’s life, Libo.
Even though Libo had a mother and siblings, and Pipo and Libo always went home
to them, Novinha and Libo behaved as if the Zenador’s Station were an island, with Pipo a loving but ever remote Prospero. Pipo wondered: Are the pequeninos like Ariel, leading the young lovers to happiness, or are they little Calibans, scarcely under control and chafing to do murder?
After a few months, Rooter’s death faded into memory, and their laughter returned, though perhaps it was not as carefree as before. By the time they were seventeen, Libo and Novinha were so sure of each other that they routinely talked of what they would do together five, ten, twenty years later. Pipo never bothered to ask them about their marriage plans. After all, he thought, they studied biology from

morning to night. Eventually it would occur to them to explore stable and socially acceptable reproductive strategies. In the meantime, it was enough that they puzzled endlessly over when and how the pequeninos mated, considering that the males had no discernable reproductive organ. Their speculations on how the pequeninos combined genetic material invariably ended in jokes so lewd that it took all of
Pipo’s self-control to pretend not to find them amusing.
So the Zenador’s Station for those few short years was a place of true companionship for two brilliant young people who otherwise would have been condemned to cold solitude. It did not occur to any of them that the idyll would end abruptly, and forever, and under circumstances that would send a tremor throughout the Hundred Worlds.
It was all so simple, so commonplace. Novinha was analyzing the genetic structure of the fly-infested reeds along the river, and realized that the same subcellular body that had caused the Descolada was present in the cells of the reed. She brought several other cell structures into the air over the computer terminal and rotated them. They all contained the Descolada agent.
She called to Pipo, who was running through transcriptions of yesterday’s visit to the pequeninos. The computer ran comparisons of every cell she had samples of. Regardless of cell function, regardless of the species it was taken from, every alien cell contained the Descolada body, and the computer declared them absolutely identical in chemical proportions.
Novinha expected Pipo to nod, tell her it looked interesting, maybe come up with a hypothesis. Instead he sat down and ran the same test over, asking her questions about how the computer comparison operated, and then what the Descolada body actually did.
“Mother and Father never figured out what triggered it, but the Descolada body releases this little protein—well, pseudo-protein, I suppose—and it attacks the genetic molecules, starting at one end and unzipping the two strands of the molecule right down the middle. That’s why they called it the descolador—it unglues the DNA in humans, too.”
“Show me what it does in alien cells.”
Novinha put the simulation in motion.
“No, not just the genetic molecule—the whole environment of the cell.” “It’s just in the nucleus,” she said. She widened the field to include more
variables. The computer took it more slowly, since it was considering millions of random arrangements of nuclear material every second. In the reed cell, as a genetic molecule came unglued, several large ambient proteins affixed themselves to the open strands. “In humans, the DNA tries to re-combine, but random proteins insert themselves so that cell after cell goes crazy. Sometimes they go into mitosis, like

cancer, and sometimes they die. What’s most important is that in humans the Descolada bodies themselves reproduce like crazy, passing from cell to cell. Of course, every alien creature already has them.”
But Pipo wasn’t interested in what she said. When the descolador had finished with the genetic molecules of the reed, he looked from one cell to another. “It’s not just significant, it’s the same,” he said. “It’s the same thing!”
Novinha didn’t see at once what he had noticed. What was the same as what? Nor did she have time to ask. Pipo was already out of the chair, grabbing his coat, heading for the door. It was drizzling outside. Pipo paused only to call out to her, “Tell Libo not to bother coming, just show him that simulation and see if he can figure it out before I get back. He’ll know—it’s the answer to the big one. The answer to everything.”
“Tell me!”
He laughed. “Don’t cheat. Libo will tell you, if you can’t see it.” “Where are you going?”
“To ask the pequeninos if I’m right, of course! But I know I am, even if they lie about it. If I’m not back in an hour, I slipped in the rain and broke my leg.”
Libo did not get to see the simulations. The meeting of the planning committee went way over time in an argument about extending the cattle range, and after the meeting Libo still had to pick up the week’s groceries. By the time he got back, Pipo had been out for four hours, it was getting on toward dark, and the drizzle was turning to snow. They went out at once to look for him, afraid that it might take hours to find him in the woods.
They found him all too soon. His body was already cooling in the snow. The piggies hadn’t even planted a tree in him.